The Star Spangled Banner - our National Anthem - has been a part of our American culture since it was written. Many musicians have given their own rendition of this song, some great ( Jimi Hendrix, Whitney Houston) some horrendous (Christina Aguilera , Rosanne Barr) ( ok - Rosanne not a musician - but by far the worst). But none have revamped and rocked it like Madison Rising.
I first heard of Madison Rising when the curator of www.the-912-project.com asked me to take a look at the two part series on their website. Writer Michelle Venturo goes behind the scenes with Madison Rising in Madison Rising Defends America’s Star Spangled Banner with Their “BadAss” Rendition
and gets in-depth with lead singer Dave Bray : Part 2: Meet Dave Bray The Lead Singer for Madison Rising Both articles are a must read. And the song is a must hear.
This rendition is taking the music world by storm. No other band since Hendrix has taken this classic and made it " their own" with such style and respect for the original.
About Madison Rising ( courtesy of Scout66.com / Con Brio PR) :
Dave Bray is the front man for Madison Rising. A dedicated patriot, Bray served in the U.S. Navy for four years as an 8404 FMF corpsman for 2nd battalion 2nd marines, and while at Camp Johnson in North Carolina, won the coveted Top Dog Award. He was the lead singer of the bands 1Echo1 and Soveren prior to becoming the front man for Madison Rising.
Madison Rising takes their name in honor of James Madison, the fourth President of the United States and a key author of the Constitution, The Bill of Rights and The Federalist Papers. Madison Rising promotes the principles of liberty, independence, and personal responsibility.
As we approach so many landmark dates in American history, please show your support by posting Madison Rising performing The Star Spangled Banner . For more information, please visit http://madisonrising.com.
Showing posts with label indie music. Show all posts
Showing posts with label indie music. Show all posts
Monday, July 16, 2012
Saturday, January 7, 2012
Garrett Morgan's music won't leave you Standing On A Bridge
Indie musicians are everywhere now-a-days making it great for them but harder to find truly good artists. Garrett Morgan is one of those stand out greats. Garrett’s style of country is uniquely fresh yet comfortably true – kinda like your favorite jeans – his music fits just right and makes you never want to take it off your player.
Although living in Sacramento (where he's enjoying the No. 1 slot on Sacramento's Americana charts at http://reverbnation.com/garrettmorganmusic ) Garrett's roots are deep in Texas. Growing up around San Antonio, the classic Texas style, red dirt music is clearly deeply imbedded in his soul. Recently, on Twitter, Garrett stated “I have a deeply held belief that every song would be better with banjo in it.” He not only uses a little banjo in his music, but fiddle, mandolin, guitar and drums – topped off with clear lead vocals and extraordinary backup vocals -blending it all together to create songs you will want to hear over and over again. From the haunting lyrics of She Says to the foot stomping beat of Serena there is something for everyone in his EP. But the the one cut that captured my heart is the title cut – Standing on a Bridge. The Guitar beginning lures you in letting the rich vocals grab you, and closing your eyes – you are on that bridge.
Garrett knows how difficult it is to stand out from the crowd as an Indie. "I can reach every single fan that Sony or Columbia can, I just have to make better use of resources.” says Garrett. You can find Garrett on Twitter, Facebook, MySpace, Reverbnation.com , as well as iTunes, CDBaby, and his own site – www.garrettmorganmusic.com
To sum it up – Garrett must stand for : Gutsy Artistic Red Road Epic Tantalizing Tunes
“I'm fortunate to have figured out that to be able to make music other people love hearing - music that tugs at their emotions - is such a huge honor. I'll never take that for granted." - Garrett Morgan
Sunday, October 2, 2011
Success - a Musician's viewpoint
I have asked many artists - Just what it is you as wanting to achieve? How do you define success?
I was going to write about this - then ran across this essay from Jeb Hart - Guitarist with Danika Holmes. This says it all ....
Thanks to Jeb for allowing me to repost
A thought, A rant, a way of looking at things, call it what you will...
It the world of sports there are major leagues, minor leagues, college associations, intramural leagues, and games just for fun. To fit my personality, I think more in terms of flight... there being Astronauts, Jet Pilots, Commercial Airline Pilots, Sesna hobbyists, R/C controlled hobbyists, model airplane makes, and people who simply dream of flight.
Keep this in mind when you look at musicians... where are they in terms of commitment and goals? Hopefully, you would never say to your friend who plays intramural sports, "Loser, why don't you try harder so you can be the majors?" Right?
I have to remind Danika, and myself sometimes, that not everyone is competing at the same level, nor is everyone's goal the same. Many musicians are happy as hobbyists, or being big fish in small ponds. Nothing wrong with that...
To clarify the two points of thought that made me think about this is that 1) Many of my friends who are big "local" players sometimes get mad about how they are the big dogs in the city and I'm playing 4,000 miles from home, and 2) I find myself being frustrated by some bands immature attitudes and seemingly apathetic attitude towards perfecting their craft.
Once I stepped back and realized most of my friends are playing "intramural" music while Danika's current goals are more "Minor League" oriented (eventually to be Major League), it answered both of my questions/concerns. We have to appreciate that not everyone wants to tour. Not everyone is going to take this as seriously as all those of you who are reading this. You are playing in a league different from most of your perceived peer group.
That doesn't mean we have nothing to learn from them. Referring to the flight example that I had, look at vast difference between the doers and the dreamers. Many times it takes going all the way back to the beginning to open our eyes and see new ways of attaining goals. The music industry is changing, and sometimes (like radio play and major record label deals) the major leagues are playing by archaic, outdated rules.
Let's all remember what it was like when we first started playing music, the dreams we had, and everything we wanted to accomplish. Let's go out and play in the right league, whichever is best for each of us. Let's think as dreamers and rewrite rules where necessary to break into and explore new territory.
Rant done... It's 2:30am, if this doesn't make sense to you, welcome to my world. I often characterize what goes on in my head as the 1957 film 12 angry men, but with most of men having ADHD. Night!
I was going to write about this - then ran across this essay from Jeb Hart - Guitarist with Danika Holmes. This says it all ....
Thanks to Jeb for allowing me to repost
A thought, A rant, a way of looking at things, call it what you will...
It the world of sports there are major leagues, minor leagues, college associations, intramural leagues, and games just for fun. To fit my personality, I think more in terms of flight... there being Astronauts, Jet Pilots, Commercial Airline Pilots, Sesna hobbyists, R/C controlled hobbyists, model airplane makes, and people who simply dream of flight.
Keep this in mind when you look at musicians... where are they in terms of commitment and goals? Hopefully, you would never say to your friend who plays intramural sports, "Loser, why don't you try harder so you can be the majors?" Right?
I have to remind Danika, and myself sometimes, that not everyone is competing at the same level, nor is everyone's goal the same. Many musicians are happy as hobbyists, or being big fish in small ponds. Nothing wrong with that...
To clarify the two points of thought that made me think about this is that 1) Many of my friends who are big "local" players sometimes get mad about how they are the big dogs in the city and I'm playing 4,000 miles from home, and 2) I find myself being frustrated by some bands immature attitudes and seemingly apathetic attitude towards perfecting their craft.
Once I stepped back and realized most of my friends are playing "intramural" music while Danika's current goals are more "Minor League" oriented (eventually to be Major League), it answered both of my questions/concerns. We have to appreciate that not everyone wants to tour. Not everyone is going to take this as seriously as all those of you who are reading this. You are playing in a league different from most of your perceived peer group.
That doesn't mean we have nothing to learn from them. Referring to the flight example that I had, look at vast difference between the doers and the dreamers. Many times it takes going all the way back to the beginning to open our eyes and see new ways of attaining goals. The music industry is changing, and sometimes (like radio play and major record label deals) the major leagues are playing by archaic, outdated rules.
Let's all remember what it was like when we first started playing music, the dreams we had, and everything we wanted to accomplish. Let's go out and play in the right league, whichever is best for each of us. Let's think as dreamers and rewrite rules where necessary to break into and explore new territory.
Rant done... It's 2:30am, if this doesn't make sense to you, welcome to my world. I often characterize what goes on in my head as the 1957 film 12 angry men, but with most of men having ADHD. Night!
Jeb is guitarist for Danika Holmes www.danikaholmes.com/
Both Jeb and Danika are a vital part of the Ascension Tour - SXSW 2012 - www.facebook.com/AscensionTour
Monday, September 26, 2011
Todd Carey signs deal with Rock Ridge Music - Press Release
FOR IMMEDIATE RELEASE
September 26, 2011
WITH ROCK RIDGE MUSIC
Brooklyn-based and Chicago-born singer-songwriter Todd Carey has inked a management deal with Newark, NJ-based music services company Rock Ridge Music. Says Carey of the partnership: “I’ve been building a fire with my fans’ help, and it’s very exciting to have Rock Ridge Music take notice and step in to elevate what I’m already doing. I couldn’t be more optimistic about working with this amazing team.”
Says Rock Ridge Music President Jason Spiewak of the deal with Carey: “We at Rock Ridge Music are stoked to be working with Todd Carey and his team. Todd's charisma is contagious and together we will broaden his audience on tour, on the web, on the radio, and everywhere else fans are enjoying great pop music!”
Carey is planning to go into the studio to work on a new album this calendar year; even though he has 40 songs written already for possible inclusion on the album, he plans to continue writing during the recording process. “I’ve embraced the newer industry model and have put out an EP and singles since my last album came out,” says Carey. “But I’m looking forward to getting into the studio and working on a full album’s worth of material.” Already, he’s begun working with Lion’s Share, the production folks behind Andy Grammer’s Hot AC hit, “Keep Your Head Up.”
Carey’s most recent release, 2010’s “After The Morning After” EP, hit the Top 40 on iTunes’ Pop Chart and was produced by Mikal Blue (Colbie Caillat, Five for Fighting). Previously, he released three solo albums (“Elevate,” “Revolving World,” and “Watching Waiting” [which came out through Universal’s Fontana Distribution]) and an additional EP (“Whitefish Bay Sessions”). Carey is no stranger to touring and has criss-crossed the country repeatedly, playing over 250 shows in support of “After The Morning After.” He’s toured with and performed on stage with numerous artists including Jason Mraz, John Mayer, Marc Broussard, Keaton Simons and Matt Duke. Music from his “Watching Waiting” album was featured in the film “Palo Alto” and on MTV's “The Real World.” Billboard magazine called “Watching Waiting” “…custom-made for the top of the pop charts... with a witty edge.”
For more information, please contact:
Krista Mettler / Skye Media & Rock Ridge Music
Wednesday, January 5, 2011
Alice Avenue debuts with See It Through
Alice Avenue are a brand new trio from London to hit the music scene. A young band with a rich bluesy funk sound that is wonderfully displayed on their new single "See It Through".
After only 6 months playing together, they have been in demand for The 100 Club, Joiners, and other hot-spots where the Rolling Stones, Elton John, and Paul McCartney all have graced the stage in the past. You can catch them live March 4 2011 at Babalou in London.
Mike Wyatt on guitar and lead vocals, Jordan Easby on the bass and Alex Kemp on the drums is Alice Avenue. Their single, "See It Through" is available on iTunes and you can preview it at www.myspace.com/aliceavenue.
If "See It Through" is any indication of what Alice Avenue has in store in the up coming year, these young men are definitely going to be hot. Catch up with them on MySpace , Facebook or on Twitter
Friday, April 30, 2010
May Day special on WSF Radio with guest Damien Cripps
This Saturday WSF Radio's Indie Lady A will feature the Australian sweetheart, Damien Cripps, Frontman for the Damien Cripps Band.
This show will feature his music and Adrienne will get the inside scoop on just what keeps Damien going, what inspires him when writing his songs , and what is in store for him and his band.
Show starts at 1:30pm CST and is sure to be one filled with interesting information and knowing Indie Lady A and Damien, lots of laughs.
So be sure to tune in and hear what happens when an Aussie and a Chicago Doll talk about what they both love dearly .... and thats music.
Indie Lady A - WSF Radio - http://www.blogtalkradio.com/entertainu/2010/05/01/damien-cripps-band
Till then! .....Renagade
Renagade has worked with Damien Cripps since June 2009 handling PR, CD sales, and is currently helping with his upcoming US tour. http://renagadesmusic.com/damiencrippsusatour.htm
The show will be recorded and archived for your listening pleasure if you miss it, just use the link above.
I had the pleasure of co-hosting this event. Always an HONOR to be included on Indie Lady A 's show.
Tuesday, April 20, 2010
Renagade Talks Indie Music on WSF Radio
Tonight I have the honor of co-hosting with the wonderful Adrienne of WSF Radio.
WSFradio is the blogtalk radio show of AWM Records, and independent label for Indie artists. They understand the struggles that face musicians today, and work hard to make a difference.
Adrienne is a gentle, soft spoken lady. To have this passionate somewhat rambunctious gal on as a co-host should make for an interesting show to say the least.
One thing we do share, is the love and passion for the Good Indies artists trying to get a break and be heard in this over saturated world of music.
I hope you get the chance to join us Tuesday April 20 at 5:30pm CDT. We promise the music will be good, the talk informative, and the show lots of fun!
http://www.awmrecords.com/blogradio/radio.html
Renagade
Renagade works with several Indie musicians helping them build great reputations Stop by www.renagadesrelics.com
AWM Records, Inc. is hosting the Chicago Sing Event in Downtown Chicago on Friday, June 12 and Saturday, June 13 2009 from 11:00 a.m. – 3:00 p.m. Please visit their website for details.
Follow WSFradio on Twitter
Monday, April 19, 2010
How Indies are using home recording successfully
Many Indie musicians
are turning to home recording
of their music. This can be a tough road, finding the right equipment, preparing the tracks, and mixing producing etc can be a mind blowing feat. Even the most experienced musician can hit snags along the way.
Well the good people of MicControl.com is hoping to help you out. This week they are posting a series of articles, interviews with musicians from across the genres to find out just what works and how they have overcome some of the obstacles of home recording.
Please take the time to check it out. It is packed with information every musician can use.
Starting off this series is Boston native Nick Lattanzi of the folk band Sun Cut Flat
. Their debut album Running Of The Bulls brings to you a unique sound described as Folk/ Roots Rock. Nick covers studio set up, programs used and a lot more.
http://miccontrol.com/#/blog/2010/04/19/recording-in-the-home-sun-cut-flat/
Next is Philadelphia-based electronic instrumental composer ESEMDEE tells about his equipment, inspiration and creative process.
http://miccontrol.com/#/blog/2010/04/20/recording-in-the-home-ESEMDEE/
Wednesday is Boston-based frontman and sole member of industrial rock outfit Cancer Killing Gemini
, Eric Michael Cohen. Recorded entirely in-home, Cancer Killing Gemini's recently released debut album, entitled It Only Hurts When We Breathe 
is a tour de force combination of hard rock riffs, electronica programming and pop hooks.
http://miccontrol.com/#/blog/2010/04/21/recording-in-the-home-Cancer-Killing-Gemini
Thursday brings you Vancouver-based Blues songwriter/ guitarist Jeff Wyatt
who has spent a lifetime building up his collection of recording equipment, and just as much time learning how to use it all. Jeff was gracious enough to give an incredible amount of insight into recording guitar
and vocals- ranging from what mics to use and where to place them, all the way to equalization, compression and further mixing and mastering techniques.
http://miccontrol.com/#/blog/2010/04/22/recording-in-the-home-Jeff-Wyatt
What are some of the proven techiques you use? What is your favorite piece of equipment or software that has made a difference in your recording?
are turning to home recording of their music. This can be a tough road, finding the right equipment, preparing the tracks, and mixing producing etc can be a mind blowing feat. Even the most experienced musician can hit snags along the way.Well the good people of MicControl.com is hoping to help you out. This week they are posting a series of articles, interviews with musicians from across the genres to find out just what works and how they have overcome some of the obstacles of home recording.
Please take the time to check it out. It is packed with information every musician can use.
Starting off this series is Boston native Nick Lattanzi of the folk band Sun Cut Flat
. Their debut album Running Of The Bulls brings to you a unique sound described as Folk/ Roots Rock. Nick covers studio set up, programs used and a lot more. http://miccontrol.com/#/blog/2010/04/19/recording-in-the-home-sun-cut-flat/
Next is Philadelphia-based electronic instrumental composer ESEMDEE tells about his equipment, inspiration and creative process.
http://miccontrol.com/#/blog/2010/04/20/recording-in-the-home-ESEMDEE/
Wednesday is Boston-based frontman and sole member of industrial rock outfit Cancer Killing Gemini
, Eric Michael Cohen. Recorded entirely in-home, Cancer Killing Gemini's recently released debut album, entitled It Only Hurts When We Breathe is a tour de force combination of hard rock riffs, electronica programming and pop hooks. http://miccontrol.com/#/blog/2010/04/21/recording-in-the-home-Cancer-Killing-Gemini
Thursday brings you Vancouver-based Blues songwriter/ guitarist Jeff Wyatt
who has spent a lifetime building up his collection of recording equipment, and just as much time learning how to use it all. Jeff was gracious enough to give an incredible amount of insight into recording guitar and vocals- ranging from what mics to use and where to place them, all the way to equalization, compression and further mixing and mastering techniques. http://miccontrol.com/#/blog/2010/04/22/recording-in-the-home-Jeff-Wyatt
What are some of the proven techiques you use? What is your favorite piece of equipment or software that has made a difference in your recording?
Wednesday, February 3, 2010
Is your online conduct hurting your 'Band Brand'?
Recently on my Rants. Raves, Renagade blog, I posted two articles addressing behavior online. Although that blog is geared towards eCommerce Merchants, people in the music industry need to take heed as well.
In "Are your words running across the internet?" I ask the question "How is your reputation?" and demonstrate how what you post on social media
sites, forums and other places on the web can make or break your reputation. Dont think for one second that people don’t notice or care. And surely don't think that your words stay where you left them.
In the second post, "Are you Talkin' to me???.....You Talkin' to ME??? I tackle the subject of beefs, gripes, moans, and down right slams and arguments on the web. Not the way to win a fan base people.
If you are a musician
, you are a business person plain and simple. Your music is your product, and the way you conduct yourself online can and will have lasting effects on the saleability of your product. Your Name is your Brand, and what you say and do online can affect that brand
.
If you get into a public row with someone, it can hurt. If you slam out nothing but 'Hey! Look at me!" messages, you will be branded a spammer and your words will lose value. If you talk trashy talk with others, dropping F-Bombs and other 'colorful ' words around, some will grow weary and drop you too. Or worse, not allow their kids to buy your music or fail to go an even listen to your music themselves. As and Indie Artist, the loss of one fan can equal the loss of hundreds more simply by losing that one person not telling others about you. And if you have a 'day job', what is your employers opinion about your online persona and the way you are handling yourself.
Social Media is a powerful, powerful marketing
tool for music. Use it wisely to build your Brand and the fan base and sales will follow.
Later..........Renagade
www.renagadesmusic.com- where good Indies build great reputations.
In "Are your words running across the internet?" I ask the question "How is your reputation?" and demonstrate how what you post on social media
sites, forums and other places on the web can make or break your reputation. Dont think for one second that people don’t notice or care. And surely don't think that your words stay where you left them.In the second post, "Are you Talkin' to me???.....You Talkin' to ME??? I tackle the subject of beefs, gripes, moans, and down right slams and arguments on the web. Not the way to win a fan base people.
If you are a musician
, you are a business person plain and simple. Your music is your product, and the way you conduct yourself online can and will have lasting effects on the saleability of your product. Your Name is your Brand, and what you say and do online can affect that brand.If you get into a public row with someone, it can hurt. If you slam out nothing but 'Hey! Look at me!" messages, you will be branded a spammer and your words will lose value. If you talk trashy talk with others, dropping F-Bombs and other 'colorful ' words around, some will grow weary and drop you too. Or worse, not allow their kids to buy your music or fail to go an even listen to your music themselves. As and Indie Artist, the loss of one fan can equal the loss of hundreds more simply by losing that one person not telling others about you. And if you have a 'day job', what is your employers opinion about your online persona and the way you are handling yourself.
Social Media is a powerful, powerful marketing
tool for music. Use it wisely to build your Brand and the fan base and sales will follow.Later..........Renagade
www.renagadesmusic.com- where good Indies build great reputations.
Wednesday, January 27, 2010
Should Indie Bands just give it away?
To give or not to give, that has been the question plaguing many bands, especially the Indie bands for quite some time. One side says " We spend thousands of dollars and thousands of hours on our music we need to make money!" The other side says " We spend thousands or dollars and thousands of hours on our music and we want it heard!" Who is right here?
Well they both are. Many people are clueless to the fact making music
costs a lot of money and a lot of time. Bands, especially Indies, foot this bill out of their own pocket and rarely make it back. Many people think it is 'only' a song, why cant I have it for free? And some will not pay for a album if they have NO idea of what they sound like, and rightfully so. But what is the solution?
In my opinion, a recent article on www.discmakers.com blog hits the nail on the head. In Free Music = Free Advertising = Smart Business, Dexter Bryant makes the valid point: Songs are the best advertising tool any musician has and a select few can and should be used to advertise. And yes, this means GIVE them away.
As soon as bands see that their songs are the best product sample, business card, advertisement that they have, they will see an increased fan base, and increased in actual sales.
Kudos to Mr. Bryant! Great to see someone plainly state Free Music = Free Advertising = Smart Business
Now, what say you? SHOULD Bands , especially Indies, just give it away?
Have you or will you buy from those who do so?
for quite some time. One side says " We spend thousands of dollars and thousands of hours on our music we need to make money!" The other side says " We spend thousands or dollars and thousands of hours on our music and we want it heard!" Who is right here?Well they both are. Many people are clueless to the fact making music
costs a lot of money and a lot of time. Bands, especially Indies, foot this bill out of their own pocket and rarely make it back. Many people think it is 'only' a song, why cant I have it for free? And some will not pay for a album if they have NO idea of what they sound like, and rightfully so. But what is the solution?In my opinion, a recent article on www.discmakers.com blog hits the nail on the head. In Free Music = Free Advertising = Smart Business, Dexter Bryant makes the valid point: Songs are the best advertising tool any musician has and a select few can and should be used to advertise. And yes, this means GIVE them away.
As soon as bands see that their songs are the best product sample, business card, advertisement that they have, they will see an increased fan base, and increased in actual sales.
Kudos to Mr. Bryant! Great to see someone plainly state Free Music = Free Advertising = Smart Business
Now, what say you? SHOULD Bands , especially Indies, just give it away?
Have you or will you buy from those who do so?
Monday, January 18, 2010
Music 101 - Indie musicians, are you on the web?
Music 101 - Indie musicians, are you on the web?
Posted using ShareThis
There are musicians
that make it big, the ones you hear on the radio and see on MTV
, then there are the others you don't hear of that often. Most are called Indies.
Indies are independent artists or bands that are not on a major label. Some are striving for this major label
break, others chose not to. But all want their music heard. Just how does an indie get their music out to the public? They play at every club, festival
, and coffee house they can find, sometimes for free or even paying to play. They sell their CDs at these events, and give them to friends and family, hoping that someone will play them for their friends. And they use the internet.
The web offers so many great ways for an indie to get heard , build a fan base, and possibly get 'discovered'. Here are a few things I recommend to increase your web presence.
Read more at:
Music 101 - Indie musicians, are you on the web?
Posted using ShareThis
There are musicians
that make it big, the ones you hear on the radio and see on MTV, then there are the others you don't hear of that often. Most are called Indies.Indies are independent artists or bands that are not on a major label. Some are striving for this major label
break, others chose not to. But all want their music heard. Just how does an indie get their music out to the public? They play at every club, festival, and coffee house they can find, sometimes for free or even paying to play. They sell their CDs at these events, and give them to friends and family, hoping that someone will play them for their friends. And they use the internet.The web offers so many great ways for an indie to get heard , build a fan base, and possibly get 'discovered'. Here are a few things I recommend to increase your web presence.
Read more at:
Music 101 - Indie musicians, are you on the web?
Sunday, January 17, 2010
How to approach radio stations
For Indies trying to keep costs down, they discover they must do most of the footwork themselves. This can include handling their own promotions and bookings. One of the best promotional tools can be getting actual radio airplay. This can be an overwhelming task, one that I myself is trying to learn.
Through a fascinating forum discussion, I met a gentleman who, through handling his wife’s singing career has got the process of approaching radio stations down to a science.
With his permission, I am able to share this with you here:
Getting your music heard
First, when building a database of contacts part of the research is in defining your "targets". Our radio station database is broken down first by format, then by market, and we can also filter it for Arbitron ratings and other criteria. Our media database is similar and even includes notes about reporter's/reviewer's preferences. As for performing related databases we have one of promoters, one for touring related services, and another for concert venues which includes theatre seating capacity, links to technical plans, and even sound and lighting plats. The point is we spent well over a year building these databases so when we send out promos and press kits they are going to exactly the right people. We're not sending out any of those $6 kits to magazines that don't cover our format. Wastes their time and our money.
One of the two recording/performing artists I manage released an album three years ago, before he came to me, and the promoter he hired to do his radio promotion sent out 297 promo/media kits to radio stations on a list they bought. He got almost no airplay or exposure. When I saw the list they used I knew why. Out of the 297 stations they mailed them to only 21 were legitimate for his kind of music. A large number went to automated network affiliates where no local programming is done, others went to stations in the wrong formats, and still others went to stations that have centralized programming offices and they never got sent up the pipeline to the right PD's. Let's see, 276 x $5 each...... That's why you do the research!
The second thing I wanted to touch on is the "unsolicited" part. Nothing leaves here "unsolicited". Every radio station, every reporter and writer, and every theatre manager is contacted, almost always by phone, and "introduced" to what will be heading their way. In other words we are opening the door, alerting them to keep an eye out above the others for ours, and we are starting to establish a relationship with them.
When a promo kit leaves our offices a followup flag goes in the database and two weeks later the followup calls start. We keep calling until we make sure they have received the album and that it is in front of them. If they haven't listened to it yet we politely ask when they think they can get to it and then another follow flag goes back in the database. We keep calling until they have listened. From there if its a radio station we find out when they expect to add it it to their rotation and then through our radio monitoring service we can track them to make sure they do it and we can keep an eye on their rotation levels. If its a media contact we can then discuss arranging interviews, provide additional material that might be needed, and get projected air or publishing dates and do whatever is necessary to assist them. With promoters and theatre managers we can start any negotiation process that might be needed.
This is what managers, promoters and agents do. I understand individual indie artists probably don't have a clue about any of this, and I'm not saying they should, but this is what goes on in the background when you're making a run at a market, be it local or global. Had I not lived on the phone calling PD's at stations all over the country back in May and June of last year I can guarantee you HOTEL LAFAYETTEwould never have topped the national A/S airplay charts as it did last August. It's not that it didn't deserve to be there, but being an unknown independent how much attention do you think many of those PD's would have paid to it when they're getting new albums from big stars and big labels every day? It would have gotten shoved into a pile of "someday I may listen" CD's. I had one PD even thank me for alerting him to the album for that very reason. That's how its done!
One more bit of advice primarily aimed at the beginning artist just starting to break into this crazy business. It is not enough to just know who to send material to, and even the diligent follow ups are still not enough. If you are trying to break into this business and get noticed above all of the others there is one more critical ingredient; you damn well better have the product to back up all of this work. I'm sorry for the language, but that's how important it is.
I know every single aspiring musician thinks he/she is the greatest. I know every one thinks he/she/they SHOULD be heard. I know they all believe their song or album is the best ever. That's cool and that kind of passion is what makes artists produce new music. The reality though is not everyone else is going to share that opinion. Before you send anything out do your own sort of "focus grouping". Don't rely on friends' flattery, you know what that's worth. Go seek out people and experts that will give you a serious and perhaps painful critique. Listen and adjust as needed. As an up and coming artist your material is your calling card and introduction to the media and promoters, not to mention the fans. Throwing something together that isn't of the highest quality possible at best won't get you noticed, and at worst could permanently damage your image and reputation.
When you do an album don't cut corners on the technical stuff; the mixing and mastering. Don't use cheap synthesizers to add instruments that will sound cheap. Don't think that one or two takes in the studio will be sufficient. And Don't burn your music on a cheap CDR and stick it in a box with just a business card!
Do it right and give everyone what you are rightfully bragging about!
Adrian Brigham - www.denisebrigham.com
Thank you Adrian, for sharing your knowledge and experience with all!
I encourage all to visit www.denisebrigham.com and read my review on Hotel LaFayette with Denise Brigham gives a five star performance
Through a fascinating forum discussion, I met a gentleman who, through handling his wife’s singing career has got the process of approaching radio stations down to a science.
With his permission, I am able to share this with you here:
Getting your music heard
First, when building a database of contacts part of the research is in defining your "targets". Our radio station database is broken down first by format, then by market, and we can also filter it for Arbitron ratings and other criteria. Our media database is similar and even includes notes about reporter's/reviewer's preferences. As for performing related databases we have one of promoters, one for touring related services, and another for concert venues which includes theatre seating capacity, links to technical plans, and even sound and lighting plats. The point is we spent well over a year building these databases so when we send out promos and press kits they are going to exactly the right people. We're not sending out any of those $6 kits to magazines that don't cover our format. Wastes their time and our money.
One of the two recording/performing artists I manage released an album three years ago, before he came to me, and the promoter he hired to do his radio promotion sent out 297 promo/media kits to radio stations on a list they bought. He got almost no airplay or exposure. When I saw the list they used I knew why. Out of the 297 stations they mailed them to only 21 were legitimate for his kind of music. A large number went to automated network affiliates where no local programming is done, others went to stations in the wrong formats, and still others went to stations that have centralized programming offices and they never got sent up the pipeline to the right PD's. Let's see, 276 x $5 each...... That's why you do the research!
The second thing I wanted to touch on is the "unsolicited" part. Nothing leaves here "unsolicited". Every radio station, every reporter and writer, and every theatre manager is contacted, almost always by phone, and "introduced" to what will be heading their way. In other words we are opening the door, alerting them to keep an eye out above the others for ours, and we are starting to establish a relationship with them.
When a promo kit leaves our offices a followup flag goes in the database and two weeks later the followup calls start. We keep calling until we make sure they have received the album and that it is in front of them. If they haven't listened to it yet we politely ask when they think they can get to it and then another follow flag goes back in the database. We keep calling until they have listened. From there if its a radio station we find out when they expect to add it it to their rotation and then through our radio monitoring service we can track them to make sure they do it and we can keep an eye on their rotation levels. If its a media contact we can then discuss arranging interviews, provide additional material that might be needed, and get projected air or publishing dates and do whatever is necessary to assist them. With promoters and theatre managers we can start any negotiation process that might be needed.
This is what managers, promoters and agents do. I understand individual indie artists probably don't have a clue about any of this, and I'm not saying they should, but this is what goes on in the background when you're making a run at a market, be it local or global. Had I not lived on the phone calling PD's at stations all over the country back in May and June of last year I can guarantee you HOTEL LAFAYETTEwould never have topped the national A/S airplay charts as it did last August. It's not that it didn't deserve to be there, but being an unknown independent how much attention do you think many of those PD's would have paid to it when they're getting new albums from big stars and big labels every day? It would have gotten shoved into a pile of "someday I may listen" CD's. I had one PD even thank me for alerting him to the album for that very reason. That's how its done!
One more bit of advice primarily aimed at the beginning artist just starting to break into this crazy business. It is not enough to just know who to send material to, and even the diligent follow ups are still not enough. If you are trying to break into this business and get noticed above all of the others there is one more critical ingredient; you damn well better have the product to back up all of this work. I'm sorry for the language, but that's how important it is.
I know every single aspiring musician thinks he/she is the greatest. I know every one thinks he/she/they SHOULD be heard. I know they all believe their song or album is the best ever. That's cool and that kind of passion is what makes artists produce new music. The reality though is not everyone else is going to share that opinion. Before you send anything out do your own sort of "focus grouping". Don't rely on friends' flattery, you know what that's worth. Go seek out people and experts that will give you a serious and perhaps painful critique. Listen and adjust as needed. As an up and coming artist your material is your calling card and introduction to the media and promoters, not to mention the fans. Throwing something together that isn't of the highest quality possible at best won't get you noticed, and at worst could permanently damage your image and reputation.
When you do an album don't cut corners on the technical stuff; the mixing and mastering. Don't use cheap synthesizers to add instruments that will sound cheap. Don't think that one or two takes in the studio will be sufficient. And Don't burn your music on a cheap CDR and stick it in a box with just a business card!
Do it right and give everyone what you are rightfully bragging about!
Adrian Brigham - www.denisebrigham.com
Thank you Adrian, for sharing your knowledge and experience with all!
I encourage all to visit www.denisebrigham.com and read my review on Hotel LaFayette with Denise Brigham gives a five star performance
Interview with Scotty Isbell
Scotty Isbell is young, full of energy and excitement, and very talented. Scott, with the help of Manager and mentorWalter Pope is currently in studio recording his debut CD. I had the pleasure of introducing Scotty to my readers with Scott Isbell offers up Pop music with spice . Following is the interveiw that lead to this article.
May it give you alittle more insight into this young and talented guy.
1.Tell us alittle about a day of Scott Isbell?
I go to a prep school as a day student and after school I have hockey practice. I play for both a junior hockey team in the IJHL as well as for my varsity team at school.
On the weekends is when I do a lot of my music. I go to the studios on the weekends with my manager Walter Pope who is a rapper and he has performed with artists such as Ne-Yo, Akon, Sean Paul, and many others. I also write my own songs during the weekends or at night during the week after I get my homework done.
2 How does your family feel about your singing career?
My family is extremely supportive of my singing career. They are behind me 100% and they are always eager to hear the music that I have created.
3, Any performances you have done you would like to tell us about?
When I was little, only about seven or eight years old, I performed several times at an Elvis impersonating show as the special guest and I most remember singing with my Elvis jumpsuits that were custom made for me.
4. You Bio states you have done some acting as well... Tell us a little about that.
I do acting for TV and film and I am currently on the TV Show Aqua Kids, a marine biology kids show and I was in a movie this past summer called Ironsides and I also acted in a new music video.
5. Have you had any formal training for your singing or acting?
I have taken singing lessons in the past, and during that time I peformed in countless music recitals performing such songs as A Moment Like This and I'll Be.
I have also had training for musical theater as well.
6. Are you involved in music through the school? What courses or activities, if any,are you taking to help further your career?
Yes, I am involved with the school's pop accapella group. (my main focus is my solo career :) ) haha
7. You also mention in your bio you have ADD. To many, this is a subject they dont talk about, yet you freely state you have it. Do you feel you can help other ADD sufferers by talking about it?
When I was about eight years old, I was diagnosed with ADD. Along with that, I have a little bit of obsessive compulsive problems, but I have never let either of them stop me from accomplishing my goals and dreams.
I want to let other people with ADD know that it is a learning disability that can be dealt with and one that does not have to interfere with ones goals and dreams. I hope to be able to do a show that benefits ADD and plan on writing a song about the learning disability.
8. You have a Manager, Walter Pope AKA Mr Flip-it, how did you two get together?
I met Pope through his body guard and security work for school. Along with being a rapper, Pope has done body guard work for Ne-Yo, and he also is my manager. I met Pope at my school where he he part of the crime security crew there. I go to a prep school as a day student and my first couple of weeks at that school I was quiet, but I shared my music with Pope and it was a tribute I had done for Michael Jackson. He at first thought that he was listening to the actual Michael Jackson when he was younger. He could not believe that a voice like that came out of me, as at the time I was pretty quiet.
Flip-It is literally the most amazing rapper I have ever heard. Everything that he raps is freestyle and he does whatever comes off the top of his head. He is truly a class act and he is the nicest guy ever. He calls me "Best Kept Secret"
9. Who has written the songs for your album?
I write all of my own lyrics. The parts where Pope raps in the songs, he actually freestyles that.
10 You are also an avid Hockey player.... how is your team doing? And how does your teamates feel about your singing
I play on two different teams: a junior hockey team and also the varsity team for my school.
My teammates love to hear me sing, and it is very rare for me to not sing atleast one song after every practice.
11 Are any of your family or friends involved in music or acting?
I have met some amazing people through my music and acting career. Just last summer I met Nat and Alex Wolff of the Naked Brothers Band after their show and I talked with them about both of our careers. They are awesome kids.
12 Who is the one person that you wish you could meet and what would you ask them?
I really would like to meet Justin Bieber and get to know him. He is a huge idol of mine, and I think that he is a great role model for other young musicians to follow. My dream is to open up for him sometime in the future for a show. That would be amazing. Justin seems like an awesome kid who is really down to earth.
What is next for Scott?
I am currently working on new songs and going to the studio to record them. My manager is setting up my concert dates and cannot wait to perform for everyone!
I am hoping to get a record deal in the future. I want to be able to showcase my music to the world and I want to be able to live my dream of becoming a professional singer.
I also someday hope to be able to sing for the Trans-Siberian Orchestra.
Anything Else?
I appreciate all of the support from my fans so much and I am unable to live my dream without their support!
Visit Scotty at MySpace , Twitter , and at Renagades
Monday, November 16, 2009
The Whispers of the Dragon say a scam is on the loose
It has been brought to my attention a site called numberonemusic.com is running a major scam. Whispers of the Dragon band came close to becoming a victim, but they followed their gut feeling and investigated before being sucked in.
They have shared their findings in their blog:
"....we began to research the site and found that if we wanted to keep up this stairway to stardom, that we would have to start paying a monthly charge after our free 30 day trial. Still at this point it seemed very tempting to jump on. We had never seen this much activity, fan gathering and plays. As musicians it’s our dream to hit levels like this and we all believe that some day this could happen. It is all about dreaming.
Additional research on numerous blogs from around the world dating back as far as 2006 showed numerous musicians had been involved and lost money (it used to be the first six months for 35 dollars). In addition many had pasted their emails they received which were identical in there wording to ours. At this pont it really seemed to us that we were probably involved in a questionable site."
Please go and read their entire blog, decide for yourself, and spread the word.
I did ... and I agree, major scam.
Later........Renagade
PS.... Check out Whispers of the Dragon music while you are there! you will be glad you did!
They have shared their findings in their blog:
"....we began to research the site and found that if we wanted to keep up this stairway to stardom, that we would have to start paying a monthly charge after our free 30 day trial. Still at this point it seemed very tempting to jump on. We had never seen this much activity, fan gathering and plays. As musicians it’s our dream to hit levels like this and we all believe that some day this could happen. It is all about dreaming.
Additional research on numerous blogs from around the world dating back as far as 2006 showed numerous musicians had been involved and lost money (it used to be the first six months for 35 dollars). In addition many had pasted their emails they received which were identical in there wording to ours. At this pont it really seemed to us that we were probably involved in a questionable site."
Please go and read their entire blog, decide for yourself, and spread the word.
I did ... and I agree, major scam.
Later........Renagade
PS.... Check out Whispers of the Dragon music while you are there! you will be glad you did!
Monday, July 27, 2009
My Interview With Damien Cripps
I recently had the pleasure of covering Damien Cripps Band for the Examiner, and actually helped introduce this fabulous Australian Band to the U.S. market. I had listened to a few of there songs and really liked what I heard. Once Damien agreed to allowing me to do a cover story, I was ecstatic. So you can imagine my excitement when he said he wanted to do a phone call first. After talking to Damien, I had a good sense of who he was, what made him tick, and just how dedicated all of the band members are to really making sure every song, every performance is the best it can be. The road for them has been a tough one, but their drive and determination is never wavering. You can look to see this band being around for a long time, all it's going to take to shoot them to that "overnight success" status is a Recording Label that will allow them the creative control they need. As Damien said, he "can not and will not 'sell out' his music for the 'star' factor".
The following is the email interview we did in preparing for the Article 'Damien Cripps Band- Australia's Hottest Rock' Thanks to Michael, Kris and Frank for helping me out here. And Special thanks to Damien, whom I now proudly call friend.
The following is the email interview we did in preparing for the Article 'Damien Cripps Band- Australia's Hottest Rock' Thanks to Michael, Kris and Frank for helping me out here. And Special thanks to Damien, whom I now proudly call friend.
Special Announcement:
Damien is honored to announce that the band will be playing support for none other than Suzi Quatro In Perth, AU on Sept 22, 2009. Congratulations guys, another great gig.
Damien Cripps Band is also very active in Australia's Blue Sky Day for Mental Health Awareness. For more details visit blueskyday.com .
Damien Cripps and the Band have sent support to the U.S. as well through Bear2Care . Check out this great organization,
To stay up with their news, check out Damien Cripps Band Blog.
INTERVIEW
Band Members Names, talents
Damien Cripps – Guitars & Vocals
Michael Basham – Guitars & Vocals
Frank Celenza – Drums
Kris Webb – Bass Guitar
What inspired you to form the band? How did you all get together?
The band was formed in 2005 – I had played in several bands and wanted to start releasing the songs I had written. The bands I was playing in were not the forum to release them. So I set about forming my own band with guys who I thought played in a way that would best represent my sound
Everyone has a Favorite song listed on website...(Mikey...London Bridges? REALLY??) ...but they are done by other artists. What is the Damien Cripps Band song that you each favor?
Damien – My favorite song changes daily – at the moment it is Bruce Springsteen & the E street band – The river – its to hard to choose my favorite DCB song at the moment is probably ‘Universe’
Kris - My favourite song is Meltdown but because we don't play it live, mine would have to be Angels In Darkness
Michael – Favorite song – anything from the Darkness. Damien Cripps Band = Pictures
Frank – anything led zeppelin – DCB – Pictures
Is there a song you may say is the bands "Trademark" song? That best reflects the band? (Can you please include the Lyrics)
ATM – would have to be ‘Pictures’
Pictures Damien Cripps Band
Monday comes, shopping’s done, I guess ill put the T.V on
You will make it, and then you’ll break it
In and out on the phone, can’t get you girl on your own
You’ll be talking and ill be walking
Then there’s you with someone new, I can’t believe you’re actually gone
You were faking and I was mistaken
Bring me Pictures of you Three red candles and a little perfume
Bring me pitchers of wine A little Jack Daniels, tequila on the side \
Monday Comes shopping’s done I guess ill put the T.V on
Your loves been stolen, did you own it?
Friday comes the weekends on and someone’s got the Radio on
you were faking I was mistaken
Chorus
Someone saw you now they adore you
Its kind a like your running from the sun
Love will find you its right behind you
And I'm putting your name on the card Baby
Damien I know you have written many of the songs, but are they any other writers in the band?
Michael and I have co written many of the songs currently available = Universe, Sophie, Celebrity Slide Frank co wrote Pictures with me Kris is a relatively new member and is co writing on new album
Who did the video work?
We have a documentary in the pipeline. All the camera work was done by Derek Hobbs but the production is all controlled by DCB
How is the Album coming along?
The album is finished (we have started working on a new record now) how ever the songs are getting released one at a time (digitally) so there is 5 more to come to itunes off the current album
What gigs do you have coming up??
Countless – it changes daily – the best way to keep up with the shows is via the my space page – Hopefully the US will receive us in mid 2010
When I spoke to Damien, he expressed that the most important thing for the band (from his viewpoint) is for people to come to the band....for the music...not for the band to be crammed at the people. I agree and your music is going to build you a very big fan base. Is there anything you all feel I can do to help more people come to know the Damien Cripps Band?
You are already doing more than we could have hoped for. The most important thing we want people to know is. That all though will do music for a living we would prefer people to have our music for free. Sales will follow via word of mouth. Encourage people to interact with us and be part of what may be the biggest music revolution of the last 50 years
PICTURES - This Song had me on the first note!
Band Members Names, talents
Damien Cripps – Guitars & Vocals
Michael Basham – Guitars & Vocals
Frank Celenza – Drums
Kris Webb – Bass Guitar
What inspired you to form the band? How did you all get together?
The band was formed in 2005 – I had played in several bands and wanted to start releasing the songs I had written. The bands I was playing in were not the forum to release them. So I set about forming my own band with guys who I thought played in a way that would best represent my sound
Everyone has a Favorite song listed on website...(Mikey...London Bridges? REALLY??) ...but they are done by other artists. What is the Damien Cripps Band song that you each favor?
Damien – My favorite song changes daily – at the moment it is Bruce Springsteen & the E street band – The river – its to hard to choose my favorite DCB song at the moment is probably ‘Universe’
Kris - My favourite song is Meltdown but because we don't play it live, mine would have to be Angels In Darkness
Michael – Favorite song – anything from the Darkness. Damien Cripps Band = Pictures
Frank – anything led zeppelin – DCB – Pictures
Is there a song you may say is the bands "Trademark" song? That best reflects the band? (Can you please include the Lyrics)
ATM – would have to be ‘Pictures’
Pictures Damien Cripps Band
Monday comes, shopping’s done, I guess ill put the T.V on
You will make it, and then you’ll break it
In and out on the phone, can’t get you girl on your own
You’ll be talking and ill be walking
Then there’s you with someone new, I can’t believe you’re actually gone
You were faking and I was mistaken
Bring me Pictures of you Three red candles and a little perfume
Bring me pitchers of wine A little Jack Daniels, tequila on the side \
Monday Comes shopping’s done I guess ill put the T.V on
Your loves been stolen, did you own it?
Friday comes the weekends on and someone’s got the Radio on
you were faking I was mistaken
Chorus
Someone saw you now they adore you
Its kind a like your running from the sun
Love will find you its right behind you
And I'm putting your name on the card Baby
Damien I know you have written many of the songs, but are they any other writers in the band?
Michael and I have co written many of the songs currently available = Universe, Sophie, Celebrity Slide Frank co wrote Pictures with me Kris is a relatively new member and is co writing on new album
Who did the video work?
We have a documentary in the pipeline. All the camera work was done by Derek Hobbs but the production is all controlled by DCB
How is the Album coming along?
The album is finished (we have started working on a new record now) how ever the songs are getting released one at a time (digitally) so there is 5 more to come to itunes off the current album
What gigs do you have coming up??
Countless – it changes daily – the best way to keep up with the shows is via the my space page – Hopefully the US will receive us in mid 2010
When I spoke to Damien, he expressed that the most important thing for the band (from his viewpoint) is for people to come to the band....for the music...not for the band to be crammed at the people. I agree and your music is going to build you a very big fan base. Is there anything you all feel I can do to help more people come to know the Damien Cripps Band?
You are already doing more than we could have hoped for. The most important thing we want people to know is. That all though will do music for a living we would prefer people to have our music for free. Sales will follow via word of mouth. Encourage people to interact with us and be part of what may be the biggest music revolution of the last 50 years
PICTURES - This Song had me on the first note!
Follow Damien Cripps on Twitter , Myspace
Sunday, June 28, 2009
Martin DeBourge - Interview with a true vocal artist
I have known Martin via internet for a couple of years now. I have always found him a approachable yet quiet soul, deeply devoted to his family and his music. This interview gave me an indepth view into just what makes Martin tick. This resulted in a two part series : Martin DeBourge - a true vocal artist and The Music of Martin DeBourge
Thank you Martin, you will always be a favorite of mine!
Martin DeBourge Interview:
When did you start singing?
To be honest, I still feel like I'm starting to get the hang of this singing role. Many times I feel like a student of voice that has yet to discover where I can take the human vocal chords.I've been singing for as long as I can remember. Although my childhood wasn't necessarily centered around music, it was always around me. Whether it was my parents playing the radio in the car, grandparents playing their old records or the jukebox at the local pizza joint, the music always impacted me. In my pre-teens it definitely served as an escape from my surroundings. Once I heard Lou Gramm from Foreigner, I was gone. When some friends from school turned me on to Iron Maiden and other metal groups, I was even further gone!
I hadn't even seen my first concert before I was putting my own band together when I was 16. That's probably an indication as to what I would discover about myself later in life - that I find myself more at home on the creative and recording levels rather than a "gigging" band member. Although, when the formula is right, live performance can be extremely satisfying. However, musicians are an interesting breed and getting four or more people to click on a personal and working level is no easy task.
So until that allusive concoction comes together, I'll continue to be a singer doing what I do
I hadn't even seen my first concert before I was putting my own band together when I was 16. That's probably an indication as to what I would discover about myself later in life - that I find myself more at home on the creative and recording levels rather than a "gigging" band member. Although, when the formula is right, live performance can be extremely satisfying. However, musicians are an interesting breed and getting four or more people to click on a personal and working level is no easy task.
So until that allusive concoction comes together, I'll continue to be a singer doing what I do
Who have you performed with? Done Vocals for?
After a handful of bands growing up, my first very serious work was with Southern California's "TORMAN MAXT". I recorded the debut album with them "Just Talking About the Universe... so far". That's where I really cut my teeth so to speak. The band is still together, and the guitarist Tony Massaro is a good friend to this day.
After Torman Maxt I tried my hand at genres outside rock music. I joined a choir, did some tenor solo pieces and attempted to expand my horizons. After meeting my wife Hande, the creative spirit in me was re-awakened and I found myself itching to get back into music that packed a harder punch. Since that time, it's been a kind of whirlwind with work I've done for other bands. Recently, I've been diving in to session work with PAUERSPHERE out of Illinois (tech-metal) and MACH X out of Southern California (progressive pop metal). I'm also pretty excited about an album I'm on tap to record with DAMIEN THORNE out of Chicago. They're a great group of guys that are kinda legends in their own right. Considered one of the first thrash metal bands on the Roadrunner label, I'm definitely honored to be a part of their forthcoming album.
After Torman Maxt I tried my hand at genres outside rock music. I joined a choir, did some tenor solo pieces and attempted to expand my horizons. After meeting my wife Hande, the creative spirit in me was re-awakened and I found myself itching to get back into music that packed a harder punch. Since that time, it's been a kind of whirlwind with work I've done for other bands. Recently, I've been diving in to session work with PAUERSPHERE out of Illinois (tech-metal) and MACH X out of Southern California (progressive pop metal). I'm also pretty excited about an album I'm on tap to record with DAMIEN THORNE out of Chicago. They're a great group of guys that are kinda legends in their own right. Considered one of the first thrash metal bands on the Roadrunner label, I'm definitely honored to be a part of their forthcoming album.
Have you written any music?
Well, when you say "music" I have to qualify my answer. As a vocalist, my predominate role is to write vocal melodies and lyrics. Melodies are indeed musical, and in fact crucial to the overall compositional makeup of a song, but unfortunately many guitarists and consequently listeners put little value on the singers written melody. I've even worked with guitarists in the past who point blank swore that a melody that I wrote "pre-existed" in some magical fairy tale way. Frankly, once a vocal melody is written for a track, it no longer remains the sole writing effort of that guitarist - it has now become a collaboration. Working with the right musicians, it's a rewarding process. With the exception of one or two bad experiences, for the most part I've been very fortunate to work with some great people.
What other musical talents you have?
Well, I can hold my own behind a mixing board, but that's about it as far as beyond the vocal realm. I tend to dive deeply into the voice, which is frankly a lost art. Many times, a vocalist thinks they just have to get in front of a microphone and let loose these supposed natural talents. I'm of the persuasion that the voice is a powerful tool that needs constant maintenance, tuning and exercise just like any other instrument. So, I focus a bulk of my time working on that craft. I didn't wake up one day with a four octave range. I had to work very very hard on it.
In the 90s it was fashionable for singers to also play an instrument - it seemed the "lead" vocalist or front man was somehow a dinosaur approach to music. As a result, less attention was paid to excelling in vocal performance and more attention was paid to being "OK" at both. I made up my mind that I would be the best I could possibly be at what I do and not detract from it by learning another instrument. It may not be the "hit maker" way, but I was never very interested in making hits anyway.
In the 90s it was fashionable for singers to also play an instrument - it seemed the "lead" vocalist or front man was somehow a dinosaur approach to music. As a result, less attention was paid to excelling in vocal performance and more attention was paid to being "OK" at both. I made up my mind that I would be the best I could possibly be at what I do and not detract from it by learning another instrument. It may not be the "hit maker" way, but I was never very interested in making hits anyway.
Judging from your MySpace and blog,ETHNOMUSICOLOGY, you are a deep thinker. Have you attended college?
Wow, you've really looked into this! I'm honored that you would take that time to research a little about me before the interview. As far as being a "deep thinker", I'm afraid that would require intense focus, and that's frankly something I lack when it comes to critical approach academically.
To answer your question, I did SOME college, but nothing to the extent of a degree and nothing in the fields that interest me most. I suppose that has more to do with being brought up in a poor family with little importance on education. I would like to return to it someday, but attempting to instill those values in my own kids is taking precedence. Just because my parents didn't see the practical sense in prepping me for higher education, it certainly doesn't stop me from wanting to learn as much as I can. I am always consuming whatever is presented to me to learn.
We as Americans are in a unique position to go after any pursuit of knowledge we desire. I believe it is a travesty to let that go to waste. We are not told what books we can read, what subjects are off limits, etc - so it's a shame that we as a society sometimes put more value on knowing who the starting line up is for a favorite sports team rather than reading something... anything! I suppose this comes from being able to quickly locate our credit card (that we can't pay down) but have no idea where the library card is... or if we even have one.
To answer your question, I did SOME college, but nothing to the extent of a degree and nothing in the fields that interest me most. I suppose that has more to do with being brought up in a poor family with little importance on education. I would like to return to it someday, but attempting to instill those values in my own kids is taking precedence. Just because my parents didn't see the practical sense in prepping me for higher education, it certainly doesn't stop me from wanting to learn as much as I can. I am always consuming whatever is presented to me to learn.
We as Americans are in a unique position to go after any pursuit of knowledge we desire. I believe it is a travesty to let that go to waste. We are not told what books we can read, what subjects are off limits, etc - so it's a shame that we as a society sometimes put more value on knowing who the starting line up is for a favorite sports team rather than reading something... anything! I suppose this comes from being able to quickly locate our credit card (that we can't pay down) but have no idea where the library card is... or if we even have one.
Of all the songs you have done, what is the one song that best describes you? Could you include the lyrics?
Great question... and I wish I had a great answer! Because I focus on the recorded medium, I'd have to answer that from a different angle. With all the work I've done, I think the Torman Maxt album I recorded was more a personal extension of me and where I stood at the time, not really comprised in a single song. Catapult over a decade later and I find myself pouring out my soul into this album I am working on called "QUESTER". The individual songs as they make up the whole will be a defining reflection of who I am, and will "best describe me". When that album is done, please come back and ask me again, and I will certainly barrage you with lyrics!
I read recently that FRANK ZAPPA considered all of his work as one huge composition. I think I can identify with that concept, although his talent is numerous levels above me.
I read recently that FRANK ZAPPA considered all of his work as one huge composition. I think I can identify with that concept, although his talent is numerous levels above me.
Any public performances coming up?
Since I don't really "belong" to a group at the moment, I would have to say that the only way to maybe catch me live in performance is with a cover band in my local area here in West Central IL.
You say you collect turntables, how many do you have and which is your fav?
I love turntables because I'm somewhat of a purist and a history buff. So the format has always intrigued me. I only have 8 players currently. I suppose that's 7 more than a lot of people have, but it's a lot less than I'd like to have! Because of my limited resources, I don't focus on higher end models - the piece actually has to mean something to me for it to end up in my collection. I don't own a table simply because it's the latest and greatest.
For example, a floor model Zenith I have reminds me of my grandparent's house where I was required to take an afternoon nap while listening to old country music emit from the warm speakers next to my ear. Another Whamco toy model reminds me of the cheap knock off players my cousin and I would listen to Aerosmith as kids thinking this was the most mind blowing sound we ever heard. But my go to player, the one that get's the most use has got to be my Marantz.
For example, a floor model Zenith I have reminds me of my grandparent's house where I was required to take an afternoon nap while listening to old country music emit from the warm speakers next to my ear. Another Whamco toy model reminds me of the cheap knock off players my cousin and I would listen to Aerosmith as kids thinking this was the most mind blowing sound we ever heard. But my go to player, the one that get's the most use has got to be my Marantz.
You mentioned working on an Album, can you tell a little about it?
You saved the explosive question for last!? Probably best since this is really my central focus these days. It's a very detailed, intensely personal concept album. It's a slow going process because I'm paying attention to every detail while at the same time sweating blood and tears over the expressive element it can't help but being.
It's a progressive metal album I am writing with a guy named DEREK COSYNS out of North Carolina. Derek has played with Alethian, Bloodline Severed and Whisper from Heaven. I've got BRYAN BELLER on board for the bass. Bryan has played with Steve Vai, Mike Keneally, Dweezil Zappa and Dethklok (the Cartoon Network spin off band). I've also got some special guest appearances. One in particular that I am crazy about is SHAWN PHILLIPS on surbahar. Shawn has an interesting history and brings a certain royalty to the album that I am freaked out about having. He gave Joni Mitchell guitar lessons, taught George Harrison the sitar, sang backgrounds on Lovely Rita from the Beatles and has a slew of albums that span 40+ years including work with Donovan. So you can imagine that I find myself a bit humbled in the presence of some of these contributors.
I'm shooting for a mid 2010 release
It's a progressive metal album I am writing with a guy named DEREK COSYNS out of North Carolina. Derek has played with Alethian, Bloodline Severed and Whisper from Heaven. I've got BRYAN BELLER on board for the bass. Bryan has played with Steve Vai, Mike Keneally, Dweezil Zappa and Dethklok (the Cartoon Network spin off band). I've also got some special guest appearances. One in particular that I am crazy about is SHAWN PHILLIPS on surbahar. Shawn has an interesting history and brings a certain royalty to the album that I am freaked out about having. He gave Joni Mitchell guitar lessons, taught George Harrison the sitar, sang backgrounds on Lovely Rita from the Beatles and has a slew of albums that span 40+ years including work with Donovan. So you can imagine that I find myself a bit humbled in the presence of some of these contributors.
I'm shooting for a mid 2010 release
Friday, June 26, 2009
Monk - the Interview
I Had the pleasure of getting to know Monk via Twitter. After a couple of wonderful conversations, listening to his music, I asked Monk for an interview. The article that resulted is Monk - The man and the music , along with a friendship. Thank you Monk.
Monks Interview:
Age: 26
Name: Monk Why "Monk"? Is there a story behind it?
Its my nickname since I was a little kid. Monk does not have the meaning then in English language. It was just a strange short cut to my real name Dominik !!!.
Its my nickname since I was a little kid. Monk does not have the meaning then in English language. It was just a strange short cut to my real name Dominik !!!.
Have you always lived in Munich?
Yes I grew up in Munich. But I would love to move to another city. The music scene in Munich is really dead :)I love the English language !!! I´d love to move to London, New York, or Sidney... but I will for sure in the future !
Yes I grew up in Munich. But I would love to move to another city. The music scene in Munich is really dead :)I love the English language !!! I´d love to move to London, New York, or Sidney... but I will for sure in the future !
Did you study music at all in school?
I had private lessons in Violin, Piano and Guitar. None of my teachers ever got me to learn to read notes !!!I hated it. LOL
I had private lessons in Violin, Piano and Guitar. None of my teachers ever got me to learn to read notes !!!I hated it. LOL
When did you start performing?
As a guitarist in Cover bands when I was 16 years old.
What instruments do you play? Favourite one?
My main instrument is guitar.
Well I play acoustic and electric guitars, bass, keyboard, a bit drums but not really well.
As a guitarist in Cover bands when I was 16 years old.
What instruments do you play? Favourite one?
My main instrument is guitar.
Well I play acoustic and electric guitars, bass, keyboard, a bit drums but not really well.
Favourite song.... you have coming out on CD and why is it a favourite. Is any song more or less a story of your life?
I would not say that there is any favourite cause they all mean something to me, but I think “Fill The Emptiness” reflects a big part of my personality to be honest.
And could you please send me the lyrics to the one song that best reflects you and your style.
THE EMPTINESS
Since I was little kid I had this deep black feelingI had to run had to hide
Since I was little kid I had this deep black feelingI had to run had to hide
had to know had to fight whyI keep onsearching praying asking hoping waiting knowing destroying feeling
I´ve tried it with books I´ve tried it with drugs I´ve tried it with love I´ve tried pure sex
Nothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptiness
I´m no child any morebut the whole in my soul is getting bigger everyday
I´ve tried it with books I´ve tried it with drugs I´ve tried it with love I´ve tried pure sex
Nothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptiness
I´m no child any morebut the whole in my soul is getting bigger everyday
if they had told me from the start that everything will fall apartWould I have stayed ?
I keep onsearching praying asking hoping waiting knowing destroying feeling
I´ve tried it with books I´ve tried it with drugsI´ve tried it with love I´ve tried pure sex
Nothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptiness
And only the banished ones are my friendsThey´ve told me there is a light at the end
And only the banished ones shake my handThey´ve told me there is a light
Will it shine
News speaker:Drinking and drugs are the key factors for the high rates of suicide and violent death.
Want to get rid of this EMPTYNESS
NOTHING SEEMS TO FILL MY EMPTYNESSNOTHING SEEMS TO FILL MY EMPTYNESSNOTHING SEEMS TO FILL MY EMPTYNESSNOTHING SEEMS TO FILL MY EMPTYNESS
Who are your musical influences?
I´ve tried it with books I´ve tried it with drugsI´ve tried it with love I´ve tried pure sex
Nothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptinessNothing seems to fill my emptiness
And only the banished ones are my friendsThey´ve told me there is a light at the end
And only the banished ones shake my handThey´ve told me there is a light
Will it shine
News speaker:Drinking and drugs are the key factors for the high rates of suicide and violent death.
Want to get rid of this EMPTYNESS
NOTHING SEEMS TO FILL MY EMPTYNESSNOTHING SEEMS TO FILL MY EMPTYNESSNOTHING SEEMS TO FILL MY EMPTYNESSNOTHING SEEMS TO FILL MY EMPTYNESS
Who are your musical influences?
This list could be endless but I will just name a few.
Mozart, Beethoven, Wagner, Richard StraussMichael Jackson, Prince, Grand Master Flash, Queen, The Beatles, Nirvana, Beastie Boys, Oasis, Jamiroquai, Portishead, Joe Satriani, Steve Vai, Jeff Beck, Tori Amos, Red Hot Chilli Peppers, Sting, Beck,From a songwriter perspective I really admire Guy Chambers. In my book this guy is the Jhonn Lennon of today.
Mozart, Beethoven, Wagner, Richard StraussMichael Jackson, Prince, Grand Master Flash, Queen, The Beatles, Nirvana, Beastie Boys, Oasis, Jamiroquai, Portishead, Joe Satriani, Steve Vai, Jeff Beck, Tori Amos, Red Hot Chilli Peppers, Sting, Beck,From a songwriter perspective I really admire Guy Chambers. In my book this guy is the Jhonn Lennon of today.
When are you hoping to complete the CD?
The songs are all written, but I think it will take me another 6 to 8 weeks (hopefully) to mix and finalize everything.I´m never happy and it is really hard for me to call a song finished !!!
Any upcoming place performances?
Besides of the studio work I'm building up a band. I will start playing live in my home town Munich and I plan a first tour in Germany. Then lets see what happens. But as soon as I will play live I will post videos of the shows on You Tube !
Are you for hire for performances?
Any upcoming place performances?
Besides of the studio work I'm building up a band. I will start playing live in my home town Munich and I plan a first tour in Germany. Then lets see what happens. But as soon as I will play live I will post videos of the shows on You Tube !
Are you for hire for performances?
Not at the moment but when the album is finished and we are ready to play live then of course !!!
Are you looking for a label or will you remain indie?
At the moment I cant imagine working with a record company.. I love the fact that I can write and release whatever I want. 30 years ago you could not record a LP without them. Now you can.At the moment I'm happy how things are.
At the moment I cant imagine working with a record company.. I love the fact that I can write and release whatever I want. 30 years ago you could not record a LP without them. Now you can.At the moment I'm happy how things are.
Favorite Picture that I can use
This pic seems to get good reactions. http://twitpic.com/52r1d
But feel free to choose the ones that you think would fit best.
Again thank you so much.
All the best... Monk
This pic seems to get good reactions. http://twitpic.com/52r1d
But feel free to choose the ones that you think would fit best.
Again thank you so much.
All the best... Monk
No Monk .....AGAIN , Thank you! .........Renagade
Visit monk at www.myspace.com/monkmusicmonk
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